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    <loc>https://www.arielzaccheo.com/blog/bridging-the-gap-contemporary-craft-practices-gallery-lecture</loc>
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    <lastmod>2019-11-25</lastmod>
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      <image:title>Blog - Bridging the Gap: Contemporary Craft Practices (Gallery Lecture)</image:title>
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      <image:title>Blog - Bridging the Gap: Contemporary Craft Practices (Gallery Lecture)</image:title>
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  <url>
    <loc>https://www.arielzaccheo.com/blog/2016/9/14/12lq8k03zscfqqlv0spahk1xrb70kw</loc>
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    <lastmod>2019-11-25</lastmod>
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      <image:title>Blog - Kicked Out of the Webelos</image:title>
      <image:caption>Steven and William Ladd, Webelos, 2015, shredded paper, glue, wheat starch, metal beads, metal trinkets, glass beads, crystal beads, pins, screws, dye, mesh, staples, wood</image:caption>
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  </url>
  <url>
    <loc>https://www.arielzaccheo.com/blog/2016/9/14/lorem-ipsum-dolor-sit-amet-1</loc>
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    <lastmod>2019-11-25</lastmod>
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      <image:title>Blog - Giggling Blonde</image:title>
      <image:caption>Lynn Hershman Leeson, Giggling Machine, Self Portrait as Blonde, 1968, wax, wig, makeup, feathers, plexiglass, wood</image:caption>
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    <image:image>
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      <image:title>Blog - Giggling Blonde</image:title>
      <image:caption>Lynn Hershman, Phantom Limb, Seduction, 1985, b/w photograph</image:caption>
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  <url>
    <loc>https://www.arielzaccheo.com/blog/2016/9/14/blowup</loc>
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    <lastmod>2019-11-25</lastmod>
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      <image:title>Blog - blow up, break away: mod revolution</image:title>
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      <image:title>Blog - blow up, break away: mod revolution</image:title>
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      <image:title>Blog - blow up, break away: mod revolution</image:title>
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    <image:image>
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      <image:title>Blog - blow up, break away: mod revolution</image:title>
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    <image:image>
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      <image:title>Blog - blow up, break away: mod revolution</image:title>
      <image:caption>Bruce Conner, Breakaway, 1966. Collection of MoMA NY.</image:caption>
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    <image:image>
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      <image:title>Blog - blow up, break away: mod revolution</image:title>
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  </url>
  <url>
    <loc>https://www.arielzaccheo.com/blog/2016/9/13/lorem-ipsum-dolor-sit-amet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556432638146-YGOHQ3JXAPC0VGLVL7LL/image-asset.jpeg</image:loc>
      <image:title>Blog - Banana Republics: The Way Things Go</image:title>
      <image:caption>Maria Thereza Alves, detail from Wake in Guangzhou, 2008</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556432708088-E8AVTV4G6FNS7IIG8M5L/static1-squarespace.jpg</image:loc>
      <image:title>Blog - Banana Republics: The Way Things Go</image:title>
      <image:caption>Victoria Wagner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556432766599-B01VVGWVKJ3V1L8RTN22/Monument-of-Sugar_Van-Brummelen-De-Haan_Argos-Brussels-2007.jpg</image:loc>
      <image:title>Blog - Banana Republics: The Way Things Go</image:title>
      <image:caption>Lonnie Van Brummelen and Siebren de Haan, Monument of Sugar</image:caption>
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  </url>
  <url>
    <loc>https://www.arielzaccheo.com/blog/2016/9/15/qgpxmy8tnnjgmrzirmcs7fdr459qmj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556433013724-Z2SLW09QEVEQELF7MB1O/santa_satan2_large.jpg</image:loc>
      <image:title>Blog - King of the Kiddie Matinee</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556433069126-TI4P4TMCLJC37MYWLA1Z/pitch-the-devil.jpg</image:loc>
      <image:title>Blog - King of the Kiddie Matinee</image:title>
      <image:caption>Pitch, from Santa Claus of 1959</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - King of the Kiddie Matinee</image:title>
      <image:caption>The Magic TeleTalker, Santa Claus, 1959</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556433195012-NMETB11EYUMQL2UH6OQL/image-asset.png</image:loc>
      <image:title>Blog - King of the Kiddie Matinee</image:title>
      <image:caption>Stinky the Skunk, Duke the Dog, and Puss N’ Boots, Santa and His Helpers, 1964</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556433245201-SL5ULOOMFS7U7JDK273O/image-asset.jpeg</image:loc>
      <image:title>Blog - King of the Kiddie Matinee</image:title>
      <image:caption>Good Witch, Jack the Pumpkin Head and Santa at Santa’s Village in Scotts Valley, Santa Cruz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556433310194-JAE888CUR5UCG7XHT7O2/santas_pepermint_slide_santas_village_dundee_illinois_sv702_dt77718_b.jpg</image:loc>
      <image:title>Blog - King of the Kiddie Matinee</image:title>
      <image:caption>Peppermint Slide at Santa’s Village in Dundee Illinois</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556433334333-CHJWFL71GT58K27FEQBX/screen-shot-2015-01-03-at-8-54-26-pm.png</image:loc>
      <image:title>Blog - King of the Kiddie Matinee</image:title>
      <image:caption>Stinky the Skunk at the end of Santa Claus and His Helpers, 1964</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556433418229-LSXRGF7538NN1D989MC3/screen-shot-2015-01-10-at-7-03-56-pm.png</image:loc>
      <image:title>Blog - King of the Kiddie Matinee</image:title>
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  </url>
  <url>
    <loc>https://www.arielzaccheo.com/blog/the-ever-unfolding-pasty-triumph-jack-smiths-performative-cinema</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556819020407-6WVQDVF61N6ICCACLO1W/Normal_Love_1_W.jpg</image:loc>
      <image:title>Blog - The Ever-Unfolding Pasty Triumph: Jack Smith's Performative Cinema</image:title>
      <image:caption>Film still, Normal Love, dir. Jack Smith, 1963</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556819104310-EHDC7YGZSL4YAPB7YLGG/98830-normal-love-0-230-0-345-crop.jpg</image:loc>
      <image:title>Blog - The Ever-Unfolding Pasty Triumph: Jack Smith's Performative Cinema</image:title>
      <image:caption>Film still, Normal Love, dir. Jack Smith, 1963</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556819179769-VFZQCZ76XVKQ1RUGEX38/Normal_Love_22_W.jpg</image:loc>
      <image:title>Blog - The Ever-Unfolding Pasty Triumph: Jack Smith's Performative Cinema</image:title>
      <image:caption>Film still, Normal Love, dir. Jack Smith, 1963</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.arielzaccheo.com/work</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1564530052081-PSVCPWPU6L4Y99PYIL9G/Dead_Nuts+Interior_Exterior_MCD_%2351_%C2%A9Henrik+Kam+2019.jpg</image:loc>
      <image:title>Index</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.arielzaccheo.com/bridging-gap</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-11-18</lastmod>
    <image:image>
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      <image:title>Bridging Gap</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570041219963-AD9D5NY0SM8UEU8KZPAG/_DSC7244.jpg</image:loc>
      <image:title>Bridging Gap</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570041201465-E2TOXZGOEZJQWK65HRC8/_DSC7237.jpg</image:loc>
      <image:title>Bridging Gap</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570041197469-JFBID47O9ZMTC2CIXTEM/_DSC7181.jpg</image:loc>
      <image:title>Bridging Gap</image:title>
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      <image:title>Bridging Gap</image:title>
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    <image:image>
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      <image:title>Bridging Gap</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570041103306-FTYG03O4F5SBU6AE33L0/_DSC7172.jpg</image:loc>
      <image:title>Bridging Gap</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570041056569-U9461UJH2YD4KPU9F82N/_DSC7166.jpg</image:loc>
      <image:title>Bridging Gap</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570041026488-RUN4FEEDNJF27RQEJZPK/_DSC7163.jpg</image:loc>
      <image:title>Bridging Gap</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570040973038-3V3XLUW83Y2DV93JUXWH/_DSC7159.jpg</image:loc>
      <image:title>Bridging Gap</image:title>
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      <image:title>Bridging Gap</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570040819925-SVK3H26HXEXOM77CKC8G/_DSC7143.jpg</image:loc>
      <image:title>Bridging Gap</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570040774686-ZN4DPQSPY45SRG1I9L67/_DSC7142.jpg</image:loc>
      <image:title>Bridging Gap</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570040551917-75ZY4D603S6AEBXTREF4/_DSC7136.jpg</image:loc>
      <image:title>Bridging Gap</image:title>
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  </url>
  <url>
    <loc>https://www.arielzaccheo.com/aboutcontact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-21</lastmod>
    <image:image>
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      <image:title>About/Contact</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.arielzaccheo.com/publications</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/7288e4b0-be2d-4e31-91d0-3abbe3245745/Screenshot+2025-08-27+at+9.03.28+AM.png</image:loc>
      <image:title>Articles - Ceramics Now, August 2025</image:title>
      <image:caption>Ceramics Now Magazine, August, 2025</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1592870723333-H93EJVXB3VIME9K4GALN/Screen%2BShot%2B2020-06-22%2Bat%2B5.01.20%2BPM.jpg</image:loc>
      <image:title>Articles - Surface Design Journal, June 2020</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556429445975-C6K4TWVLCF97OR1KN7XF/Screen+Shot+2019-04-27+at+10.30.20+PM.png</image:loc>
      <image:title>Articles - Surface Design Journal, July 2018</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556429661186-ROGJNZ0GB76KWY0DPSDA/Screen+Shot+2019-04-27+at+10.33.56+PM.png</image:loc>
      <image:title>Articles - Art Practical, November 2018</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1574185904594-JD4XJJXT48K2XJZQNGHJ/American+Craft+crop1.jpg</image:loc>
      <image:title>Articles - American Craft Magazine, December/January 2020</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1568220259628-6JIC8T0A6H7UG5J061FE/ContentServer.jpg</image:loc>
      <image:title>Articles</image:title>
      <image:caption>June 2018. “Seeing with the Same Eye: An Interview with Piero Mussi” published in SNAG’s Metalsmith magazine as an insert to Glenn Adamson’s essay “Craft to the Second Power.” Adamson, Glenn. “Craft to the Second Power. (Cover Story).” Metalsmith, vol. 38, no. 3, June 2018, pp. 28–35. Ebsco Host</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1558462120239-8WD7QPWS6SD0WEJYTBQT/Screen+Shot+2019-05-21+at+11.06.24+AM.png</image:loc>
      <image:title>Articles</image:title>
      <image:caption>April 2017. On a recent trip to San Francisco to interview Nicki Green in greater detail, I had the opportunity to meet with Ariel Zaccheo at the Museum of Craft and Design. Through her graduate work at the San Francisco Art Institute, Ariel has a strong foundation in queer theory applied to performance art and now has the opportunity to apply it to contemporary craft and design. Enjoy!</image:caption>
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  </url>
  <url>
    <loc>https://www.arielzaccheo.com/reviews</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-11</lastmod>
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      <image:title>Reviews - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Reviews</image:title>
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      <image:title>Reviews</image:title>
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      <image:title>Reviews</image:title>
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    <loc>https://www.arielzaccheo.com/exhibitions</loc>
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    <lastmod>2026-04-02</lastmod>
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      <image:title>Curated Exhibtions - VIDEO CRAFT</image:title>
      <image:caption>Museum of Craft and Design February 28 - August 16, 2026 Video Craft explores the formal and technical properties that video, film, and early moving image technologies share with more traditional craft media like ceramics, textiles, and glass. Many contemporary artists have been drawn to video’s features, including its imaging technologies, usages of time, space, and (sound) aesthetics in new explorations of form making. In doing so, they have blurred the lines between the disembodied space of video and other, more tangible media, such as textiles, clay, plastic, film, and glass. There is a strong sense of materiality in these areas of overlap–where harnessed light and motion results in textural patterns and projections with haptic qualities. Craft practices have long been cut out of new media discourse—a trend currently being reversed. Through themes of encoding, looping, and sampling, Video Craft takes terms usually associated with media art and expands them to examine practices by artists using a wider range of materials and techniques, many of which are rooted in craft history.  Video Craft brings together nearly 20 artists at different stages of their careers, from early pioneers of video production to emerging digital natives. The exhibition hopes to illustrate an unlikely partnership between the heavily embodied practices of craft and the ephemeral nature of the screen.  Co-curators: Sarah Mills &amp; Ariel Zaccheo</image:caption>
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      <image:title>Curated Exhibtions - JUDITH SCHAECHTER: SUPER/NATURAL</image:title>
      <image:caption>Museum of Craft and Design October 4, 2025 - February 8, 2026 Centered around Judith Schaechter’s latest project, Super/Natural, this exhibition explores the universality of natural elements, patterns, and ornament as vehicles for meditations on beauty. The central stained glass structure, also titled Super/Natural, is her largest project to date, designed to accommodate a single viewer inside. Created during her residency at the Penn Center for Neuroaesthetics, this piece reflects her study of biophilic design and its impact on human consciousness. By positioning the viewer within a three-tiered cosmos, Super/Natural invites reflection on both inner space—our neurological and psychological experience of environments—and outer space—how we extend ourselves into the world around us. Inside this secular temple, viewers encounter the “blue marble” of Earth from a more intimate perspective, suggesting that we are not merely observers of nature, but connected to it. In honor of Schaechter’s prolific oeuvre prior to embarking on this large project, the exhibition will feature additional works which share themes of natural elements, pattern, and ornament. Judith Schaechter: Super/Natural aims to illuminate how Schaechter has shed new light on the traditional medium of stained glass, and to underscore the central structure’s biophilic beauty. Curated by Ariel Zaccheo with support by Michener Art Museum</image:caption>
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      <image:title>Curated Exhibtions - A ROADMAP TO STARDUST</image:title>
      <image:caption>Museum of Craft and Design May 10 - September 14, 2025 Drawing on antiquarian images of the heavens, origin stories, and myths of early civilizations, A Roadmap to Stardust is a modern inquiry into the cosmos and humankind’s eagerness to explore distant planets. Astronomy, the most ancient of the natural sciences, is entwined with the religious, mythological, cosmological, and astrological beliefs of prehistory. While humans have looked to the stars for millennia, future stargazing may take on a more urgent tone as an escape from Earth’s changing climate. Conceived by artists Neil Forrest and John Roloff (collaboratively known as OortCloudX), phase one of the three-part project, A Roadmap to Stardust, unfolds as an origin story around the excavation of an imagined archaeological site. Here, faux-historical artifacts hint at the discovery of the first telescope, assembled from a compilation of Greek amphora, crocodile skulls, warrior gear, and early technologies. Inspired by the famous Mesopotamian Epic of Gilgamesh, wherein the titular character embarks on a journey to discover the secret to everlasting life, the immersive installation combines mysticism and modern science to reimagine the characters in a present-day narrative, influenced by science fiction and popular culture. Dioramas and cinematic murals illustrate past and future scenes: a past in which the ‘Sumerians’ built the telescope to scour the night sky; and a future in which astronaut characters, depicted as puppets, arrive on an unnamed, distant planet. Within this alternative archeology, OortCloudX uses craft as a lens to look forward and back in time, searching through Western and non-Western cultures to inform their artistic investigation into speculative sciences. Two subsequent phases of the exhibition, taking place over the course of two years, will plot the exploration and exploitation of a fictional planet, and create imagined alternatives to manifest destiny and ecological anxiety. Artists: Oortcloud X (Neil Forrest and John Roloff) Curated by Ariel Zaccheo Exhibition design by Studio Hinrichs Press: Square Cylinder, Ceramics Now</image:caption>
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      <image:title>Curated Exhibtions - FIGHT AND FLIGHT: CRAFTING A BAY AREA LIFE</image:title>
      <image:caption>Museum of Craft and Design April 15 - September 10, 2023 Fight and Flight: Crafting a Bay Area Life is a timely examination of the Bay Area arts ecosystem. This exhibition features 23 Bay Area artists who have stuck it out during the many crises of our times.  Recent narratives have placed San Francisco and its surrounding urban areas “in the shadow” of larger art metropolises like Los Angeles or New York. The Bay Area finds itself in the penumbral margins of the art world conversation. So, too, is craft often marginalized or footnoted in the canon of art history. To survive and thrive in the margins is a radical act that occasionally requires the will to fight. Fight and Flight is about the struggle to live and work in the Bay Area where, despite the lack of affordable housing and studio space, the participating artists' histories are nuanced expressions of the determination to remain.  Curated by Jacqueline Francis and Ariel Zaccheo Exhibition Design: Caroline Holley Artists: Libby Black, Craig Calderwood, Erica Deeman, Cheryl Derricotte, Ala Ebtekar, Liz Harvey, Angela Hennessy, Alexander Hernandez, Liz Hernández, Cathy Lu, Michelle Yi Martin, Adia Millett, Nasim Moghadam, Richard Jonathan Nelson, Ramekon O’Arwisters, yétúndé ọlágbajú, Woody De Othello, Related Tactics, Charlene Tan, Margaret Tedesco, Lauren Toomer, Leila Weefur, Jenifer K Wofford Press: NBC California Live, KQED, SF Examiner, e-flux Art Agenda</image:caption>
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      <image:title>Curated Exhibtions - CONCRETE JOURNALS: ANNE HICKS SIBERELL</image:title>
      <image:caption>Museum of Craft and Design April 15 - September 10, 2023 Among many other projects parallel to book-making and writing, artist Anne Hicks Siberell has been a visual diarist since the 1970s. Her Concrete Journals series exists as a record of time, collaging elements of the artist’s life and encasing them in concrete.  Throughout her life and career, Siberell has always kept diaries. After attending the University of California, Los Angeles and Chouinard Art Institute (now CalArts), Siberell began a career in design and illustration. She illustrated nine books from the 1960s to 1980s. From 1985 to 2009, she authored and illustrated an additional four children’s books, two of which were translated into Arabic for international audiences. Her expansive practice includes handmade artists’ books and printmaking, for which she has been awarded residencies at the American Academy in Rome in 2005, and the Bibliotheca Alexandrina in Egypt in 2002. In the 1970s, she began a series of accordion books, pairing written narratives with collaged cuts of paper. These collaged journals illustrate matters both personal and cultural.  Curator: Ariel Zaccheo Exhibition Design: Caroline Holley Press: Brooklyn Rail</image:caption>
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      <image:title>Curated Exhibtions - MODE BRUT</image:title>
      <image:caption>Museum of Craft and Design September 4, 2021–January 23, 2022 In collaboration with Creativity Explored, Mode Brut explores the idea of accessibility, gender roles, identity, and sustainability in fashion. Featuring the work of over 50 developmentally disabled artists from the Creativity Explored studio, Mode Brut is a testament to the collaborative process of fashion design. Focusing on art practice as fashion, the exhibition features four collections of inspiring new fashions made by designer teams alongside local developmentally disabled artists: Creativity Explored Studio Line, community art collective Bonanza, Queer advocate and model Yanni Brumfield, and San Francisco-based Haute Couture fashion brand Tokyo Gamine. Curated by Cléa Massiani and Ariel Zaccheo Exhibition Design: Randolph Designs Full artist list here. Press: Hyperallergic, Juxtapoz, Square Cylinder</image:caption>
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      <image:title>Curated Exhibtions - INTERIOR/EXTERIOR</image:title>
      <image:caption>Museum of Craft and Design July 27–December 1, 2019 Interiors are the settings of our private hopes and dreams; the intimate places we hang hats, eat with family, converse, sleep. Exteriors are where those dreams are made and enjoyed. In daylight or under soft streetlights, in fringe and sequins and denim and leather, communities form in public places. To be in public is to perform. We dress and decorate our bodies to conform to the ideals of the space we’re in. From boardroom to barroom to bedroom, we adjust to the spaces we inhabit. Read More Curated by Ariel Zaccheo Exhibition Design: Randolph Designs Artists: Julie Alpert, Benjamin Armas and Ori Carino, Macon Reed, Kathy Sirico, Kaori Yamashita Press: Architectural Digest, e-flux Art Agenda</image:caption>
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      <image:caption>ATA Window Gallery November 1 - 30, 2019 Almost-Public/Semi-Exposed is the ATA Window Gallery’s annual month of installed performance. Each November we open the space to a wide range of live performers. Past years have included performance art, modern dance, Butoh, art games, endurance pieces, sound art, live painting, ritual practice, projector performance, public intervention, radical burlesque, durational poetry, and more. Artist honoraria was generously supported by a grant from the Andy Warhol Foundation. http://almostpublic.space Co-curators, Tessa Siddle &amp; Ariel Zaccheo Participating artists: Crystal Vielula, Elsa Trash and Semaj Peltier, T Shell, Hannah Beck, Jennifer Locke, Monet Clark, Raegan Truax, Gabriella Contreras and Nicole Casado, Stella Fontinella/Laura Miller, Claire Bain and Alfred Hernandez, Jenell Del Cid</image:caption>
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      <image:caption>Museum of Craft and Design March 16 – July 14, 2019 In a political climate that reinforces difference, comfort can be found in discovering similarities across cultures and thousands of miles. The sculptures featured in Wanxin Zhang: The Long Journey are markers along such a path. Each piece reveals a chapter in the story of their maker, weaving together the personal and the political through Zhang’s extensive iconography. Read More Co-Curator, Ariel Zaccheo Presented in partnership with the Catharine Clark Gallery. Exhibition Design: Ted Cohen</image:caption>
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      <image:title>Curated Exhibtions - ALMOST PUBLIC/SEMI-EXPOSED 5</image:title>
      <image:caption>ATA Window Gallery November 1 - 30, 2018 Almost-Public/Semi-Exposed is the ATA Window Gallery’s annual month of installed performance. Each November we open the space to a wide range of live performers. Past years have included performance art, modern dance, Butoh, art games, endurance pieces, sound art, live painting, ritual practice, projector performance, public intervention, radical burlesque, durational poetry, and more. http://almostpublic.space Co-curators, Tessa Siddle &amp; Ariel Zaccheo Participating artists: Claire Bain and Alfred Hernandez, Margaret McCarthy, Adea Guidi, Faith Holland, Jen Fedrizzi and Kat Culture (pictured), Linda Scobie, Liat Berdugo and Margaret McCarthy Jen Fedrizzi and Kat Culture, What Remains</image:caption>
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      <image:title>Curated Exhibtions - ALMOST PUBLIC/SEMI-EXPOSED 4</image:title>
      <image:caption>ATA Window Gallery November 1 - 30, 2017 Almost-Public/Semi-Exposed is the ATA Window Gallery’s annual month of installed performance. Each November we open the space to a wide range of live performers. Past years have included performance art, modern dance, Butoh, art games, endurance pieces, sound art, live painting, ritual practice, projector performance, public intervention, radical burlesque, durational poetry, and more. http://almostpublic.space Co-curators, Tessa Siddle &amp; Ariel Zaccheo Participating artists: Suki O’Kane and Rae Diamond, Princess VuVu, Melissa Koziebrocky, Fred Frith and Heike Liss, Jen Fedrizze and Kat Culture, Alfred Hernandez and Claire Bain, Alexa Eisner and Kevin Friedrichsen, Stella Fontinella (Laura Elayne)</image:caption>
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      <image:title>Curated Exhibtions - RUBBER FANGS!</image:title>
      <image:caption>February 24 - April 1, 2017 Paxton Gate Curiosities for Kids, SF In the late 1950s, Universal syndicated a package of classic monster movies to local TV stations. Hot off the heels of the atomic bomb and in the midst of the red scare, classic movie ghoulies like the Wolf Man, the Creature, Frankenstein and the Mummy fell from the silver screen to flicker across the boob-tube, broadcast direct to living rooms across the country. To counteract the creepies, weekly “Horror Hosts” like Vampira and the “Cool Ghoul” Zacherley emerged, bookending the spooky flicks with their brands of campy gallows humor. Their fearful fangs stripped, these classic monsters moved from spooky to kooky, leaving space for a new industry of monster themed toys, comics, songs, and TV shows, all with a kitschy, goofy affectation. Glow Claw Collective members Aidan Monahan, Thomas Fernandez and Zac Amendolia mix this ooky, screwy monster mania with psychedelic colors and kawaii cuteness. Featuring creatures both nostalgic and new, they’ve created a groovy five and dime style monster paradise. Curated by Ariel Zaccheo</image:caption>
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      <image:caption>ATA Window Gallery November 1 - 30, 2016 Almost-Public/Semi-Exposed is the ATA Window Gallery’s annual month of installed performance. Each November we open the space to a wide range of live performers. Past years have included performance art, modern dance, Butoh, art games, endurance pieces, sound art, live painting, ritual practice, projector performance, public intervention, radical burlesque, durational poetry, and more. http://almostpublic.space Co-curators, Tessa Siddle &amp; Ariel Zaccheo Participating artists: Casper McEvoy-Zamosa, Balitronica, Laura Miller, Claire Bain, Mirabelle Jones, Melissa Koziebrocki, Maribel Lopez and Nicole Casado. Jason Wyman, Lady Red, Princess VuVu and Hannah Beck, Suki O’Kane and Bodil Fox</image:caption>
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      <image:title>Curated Exhibtions - CONSTRUCTED COMMUNICATION: NAKAYAMA, SINBONDIT, VENOM</image:title>
      <image:caption>Museum of Craft and Design, SF April 9 – August 7, 2016 Picking up threads of the handmade in our impersonal digital era, Kenji Nakayama, Amy Sinbondit and Ben Venom utilize traditional craft techniques to construct objects that communicate in nontraditional ways: through symbols, through lettering and through gestures. These three artists stem from different traditions, each with a long history, each with a unique vocabulary, each with a self-contained community of practice. These communities are often closed, accessible only to those who speak an almost secret dialect of ceramics, quilting or sign-painting. Nakayama, Sinbondit, and Venom seek to open these communities of practice by creating works that communicate not only their mastery of construction, but also embedded messages legible to those beyond the community boundaries. They demystify the secrets of their respective crafts by speaking in a variety of ways with different forms. Constructed Communication is a combination of talk and technique. Nakayama, Sinbondit and Venom reappropriate traditional craft techniques with their chosen materials, novel approaches, and contemporary dialogues. The work in this exhibition provides a counter-note to the fast-fabrication alternatives that sometimes clutter the modern world. Rather than standing in opposition, they provide alternate points of view that open new portals of understanding and use. Co-curators: JoAnn Edwards and Ariel Zaccheo Exhibition Design: Ted Cohen</image:caption>
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      <image:caption>ATA Window Gallery November 1 - 30, 2015 http://almostpublic.space Co-curators: Tessa Siddle and Ariel Zaccheo Participating artists: Mirabelle Jones, Nathalie Brilliant and Christine Lee, Maribel Lopez and Nicole Casado, Ryan Bealer, Paula Morales, Jake Micron, Oscar Tidd, Claire Bain, Melissa Koziebrocki, Ryan Bealer and Darius Sohei, June Li, Princess VuVu Mirabelle Jones, To Skin a Catcaller, photo by Lieven Leroy of Subversive Photography</image:caption>
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      <image:title>Curated Exhibtions - ALMOST PUBLIC/SEMI-EXPOSED 1</image:title>
      <image:caption>ATA Window Gallery November 1 - 30, 2014 http://almostpublic.space Co-curators: Tessa Siddle and Ariel Zaccheo Participating artists: April Dean, Mirabelle Jones, Dan &amp; Cheryl, Amanda Chaudhary, Jacquelyn Shannon, Laurie Krsmanovic, Nathalie Brilliant, Maria Dawn and Sarah St. Leger, Bob Webb, Ryan Schrinel, Tessa Siddle, Princess VuVu Princess VuVu, Princess VuVu and the Undead Machine</image:caption>
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      <image:title>Curated Exhibtions - EVERYTHING OUT THERE: BAY AREA’S FIRST TRIENNIAL NOW</image:title>
      <image:caption>Diego Rivera Gallery April 2013 Over the last academic year, led by faculty member and curator Betti-Sue Hertz, a group of seven visual scholars have been working within art exhibition history in order to conceptualize the Museum of Exhibition History (MoX) and its inaugural exhibition: Everything Out There: Bay Area’s First Triennial Now. Although the museum is, at this point, a purely theoretical project, MoX is conceived as a curatorial collaboration that positions art exhibitions as major devices of social and cultural value. Through remounting internationally notable exhibitions from 1960 to the present, MoX invites its audience to access, experience and reexamine significant displays from the past. Co-curators: Suzanne Minatra, Carlos Garcia Montero, Sarah Nantais, Martin Strickland, Stephanie Tran, Regina Velasco, Ariel Zaccheo</image:caption>
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      <image:title>Curated Exhibtions - WHIMSICAL SISTERS GROUP</image:title>
      <image:caption>Diego Rivera Gallery February 4-9, 2013 Artists Emily Bayless, Li Ma, Ingrid V. Wells, and Momo Yao join forces as the WHIMSICAL SISTER GROUP for an exhibition at San Francisco Art Institute’s Diego Rivera Gallery. The show will run from February 4-9th, with an opening reception and artist’s talk on Tuesday, February 5th at 5pm. The WHIMSICAL SISTER GROUP is a lighthearted examination of feminine identity through a variety of media. Narratives of sisterhood, bodily abjection and childhood fantasy are woven through mediums of installation, sculpture, painting and pencil drawings. Using the body as a flexible object of discourse, these artists stretch and contort normative understandings of gender identification and feminine collectivity. Curator, Ariel Zaccheo</image:caption>
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      <image:title>Curated Exhibtions - WE STILL READ FAIRYTALES</image:title>
      <image:caption>Swell Gallery November, 2012 Through an exploration of childhood memory and imagination Momo Yao, Jos Truitt, and Seo Kyeong Yoon document their experiences with literary sources and enchanted imagery. The artists collapse time, melding the nostalgic imprints left by thumbing through worn copies of Victorian children’s literature with a heightened awareness of one’s own ticking mortality. Populated by anthropomorphic figures, the imagery recalls a step through the looking glass, or diving under a foreboding cerulean sea. The immersive environment of sculpture and painting plays with shadows to pull the viewer into dark, romantic creations. As haunting as it is poetic, We Still Read Fairytales updates the trope of the “happy ending”, toeing atmospheres of the arcane and the decadence of the dreamworld. Co-curators, Aimee Harlib and Ariel Zaccheo</image:caption>
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      <image:caption>Photo © Henrik Kam, 2019</image:caption>
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      <image:title>WSRF</image:title>
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      <image:title>WSRF</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556592333706-WOH6MCFGUWSBSPVGLNS6/We-Still-Read-Fairytales8.jpg</image:loc>
      <image:title>WSRF</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556592327774-DDJVTQ4HCEY1KE8GPTD4/We-Still-Read-Fairytales_16.jpg</image:loc>
      <image:title>WSRF</image:title>
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  <url>
    <loc>https://www.arielzaccheo.com/apse2</loc>
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    <priority>0.75</priority>
    <lastmod>2019-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556655616851-VYR4X26M5MVC1PPZ54G3/LievenLeroy_SubversivePhotography9.jpg</image:loc>
      <image:title>APSE2</image:title>
      <image:caption>Mirabelle Jones, To Skin a Catcaller, Photo by Lieven Leroy of Subversive Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556655573566-9DFBIQSR4C71H358YW0S/TimGuydish1.jpg</image:loc>
      <image:title>APSE2</image:title>
      <image:caption>Mirabelle Jones, To Skin a Catcaller, Photo by Tim Guydish</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556655270408-9C46W2UOLJ0I6AISFSKZ/12239606_10156312534320381_3605294325622936180_n.jpg</image:loc>
      <image:title>APSE2</image:title>
      <image:caption>Paula Morales, Hanging with the Victorians</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556655287622-WG91FME99DW2GTX2HXKA/12279170_10156312533765381_6364096647659835134_n.jpg</image:loc>
      <image:title>APSE2</image:title>
      <image:caption>Paula Morales, Hanging with the Victorians</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556655307187-I9H4JBWSIVZ2DIN9E4V0/claire_bain.png</image:loc>
      <image:title>APSE2</image:title>
      <image:caption>Claire Bain</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556655313886-LAZSET5PZQSQHWTD5WYA/IMG_4100.jpg</image:loc>
      <image:title>APSE2</image:title>
      <image:caption>Casper Zomosa</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556655351131-AF5UFKY4T4OABOJ8B0F1/12239567_511241182379006_7286389668328503157_n.jpg</image:loc>
      <image:title>APSE2</image:title>
      <image:caption>Jake Micron</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556655372701-33SXGZ0RP48O2NIJSEJ4/12299289_10153287896198753_1999138641765126010_n.jpg</image:loc>
      <image:title>APSE2</image:title>
      <image:caption>Jake Micron</image:caption>
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  <url>
    <loc>https://www.arielzaccheo.com/writing</loc>
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    <lastmod>2019-11-18</lastmod>
  </url>
  <url>
    <loc>https://www.arielzaccheo.com/juried-exhibitions</loc>
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    <priority>0.75</priority>
    <lastmod>2024-04-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/21f815d8-fd58-4a85-b92f-3f579ee913f3/Screen+Shot+2024-04-03+at+4.04.55+PM.png</image:loc>
      <image:title>Juried Exhibitions - VARIATIONS 2024</image:title>
      <image:caption>April 20 – June 16, 2024 Marblehead Art Association, Marblehead, MA Variations is the Marblehead Art Association’s annual national exhibit which features the artwork of artists from across the country. Since 2021, artists from across the country, representing a diversity of styles and media have been invited to participate in this eight-week, juried exhibit of 2D and 3D work. 2D juror: Lydia Peabody Photo juror: Karen Haas 3D juror: Ariel Zaccheo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1713916277015-Q6CHIM0V48KG9IPINJKY/IMG_7187.jpeg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1713916277060-RASFO7UCJVX4XZSYM35X/IMG_7196.jpeg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1713916411152-TF5IBMQ0QSII224K3B3S/__1.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1713916417345-B2PWYUBSP1XG208XDMU7/__2.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/37afee69-78f5-41e3-b368-7c115ddd7738/Screen+Shot+2023-03-17+at+9.09.21+AM.png</image:loc>
      <image:title>Juried Exhibitions - 44TH ANNUAL CONTEMPORARY CRAFTS</image:title>
      <image:caption>February 10 - April 23, 2023 Mesa Arts Center, Mesa, AZ Highlighting the finest in contemporary crafts from across the country, Mesa Contemporary Arts Museum’s Annual Contemporary Crafts exhibition has become a benchmark for innovation and quality. Representative of traditional craft mediums including ceramics, fibers, basketry, metals, wood, glass, jewelry, papermaking and book arts, this exhibition showcases 55 artworks by 40 artists, representing 11 states. Guest Juror for the 44th Annual Contemporary Crafts exhibition was Ariel Zaccheo, Curator of the Museum of Craft and Design in San Francisco, California. Catalog</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/a350be58-c2a4-4886-ba37-b76ff16d8210/IMG_4680.jpg</image:loc>
      <image:title>Juried Exhibitions - CRAFT NOUVEAU</image:title>
      <image:caption>April 1 - May 28, 2022 Blue Line Arts, Roseville, CA Craft Nouveau is Blue Line Arts' biennial juried fine craft competition, open to artists internationally. The exhibition seeks to spark dialogue on traditional delineations between fine craft and art, and highlight mediums and processes typically associated with craft. Juror: Ariel Zaccheo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570040774608-7WA6XJRBFG60VLPFWZ8E/_DSC7141.jpg</image:loc>
      <image:title>Juried Exhibitions - BRIDGING THE GAP: CONTEMPORARY CRAFT PRACTICES</image:title>
      <image:caption>August 24 – December 14, 2019 Arrowmont School for Arts and Crafts, Gatlinburg, TN Artists and makers are consistently seeking innovative approaches to traditional craft practices; creating work that is historically conscious, while resonating with newer audiences, younger makers and current issues. It is important now more than ever to examine our histories with a fresh lens in order to forge new paths and make room for new voices and perspectives, while recognizing the significance of those histories. Arrowmont School of Arts and Crafts is seeking artists who are bridging the gap between the traditional and contemporary. Bridging the Gap: Contemporary Craft Practices aims to recognize artists less than 35 years of age who are making significant strides in their craft in bold and diverse ways. Jurors: Jovencio de la Paz, Jessica Todd, Ariel Zaccheo Images courtesy Arrowmont School for Arts and Crafts and photographer Robert Batey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570041219963-AD9D5NY0SM8UEU8KZPAG/_DSC7244.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570041201465-E2TOXZGOEZJQWK65HRC8/_DSC7237.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570041197469-JFBID47O9ZMTC2CIXTEM/_DSC7181.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570041175562-60EHJXELWWPSN7G9G604/_DSC7178.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570041165675-1NJMTCPTJJGJP3CXH65M/_DSC7176.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570041103306-FTYG03O4F5SBU6AE33L0/_DSC7172.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570041056569-U9461UJH2YD4KPU9F82N/_DSC7166.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570041026488-RUN4FEEDNJF27RQEJZPK/_DSC7163.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570040973038-3V3XLUW83Y2DV93JUXWH/_DSC7159.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570040886583-RNQAGOGN5OKQYGSZ6OUI/_DSC7152.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570040819925-SVK3H26HXEXOM77CKC8G/_DSC7143.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570040774686-ZN4DPQSPY45SRG1I9L67/_DSC7142.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1570040551917-75ZY4D603S6AEBXTREF4/_DSC7136.jpg</image:loc>
      <image:title>Juried Exhibitions</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556471513930-MIDXVZ2HJII9A7PPETY7/image-asset.png</image:loc>
      <image:title>Juried Exhibitions - INGENUITY</image:title>
      <image:caption>October 3 - 27, 2018 Marin Society of Artists Gallery, Marin, CA National juried sculpture and fine crafts exhibition, with three award categories for fine crafts. Fine craft juror: Ariel Zaccheo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.arielzaccheo.com/index-1</loc>
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    <priority>1.0</priority>
    <lastmod>2019-11-18</lastmod>
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      <image:title>Index</image:title>
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  <url>
    <loc>https://www.arielzaccheo.com/interior-exterior</loc>
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    <lastmod>2019-11-19</lastmod>
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      <image:title>Interior Exterior</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1564527684582-3B3ON6WW3QZ82L84VCB8/Dead_Nuts+Interior_Exterior_MCD_%2354_%C2%A9Henrik+Kam+2019.jpg</image:loc>
      <image:title>Interior Exterior</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1564527679451-Q8K0ZBZZ8RMLPFO53Z0O/Dead_Nuts+Interior_Exterior_MCD_%2352_%C2%A9Henrik+Kam+2019.jpg</image:loc>
      <image:title>Interior Exterior</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1564527700829-IQ26G57TRJKTP174OQFO/Dead_Nuts+Interior_Exterior_MCD_%2359_%C2%A9Henrik+Kam+2019.jpg</image:loc>
      <image:title>Interior Exterior</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1564527723692-DKU8QEQ940I5EURK8VEJ/Dead_Nuts+Interior_Exterior_MCD_%2367_%C2%A9Henrik+Kam+2019.jpg</image:loc>
      <image:title>Interior Exterior</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1564527709726-GQWE37FPTKCVR0IFA2DK/Dead_Nuts+Interior_Exterior_MCD_%2362_%C2%A9Henrik+Kam+2019.jpg</image:loc>
      <image:title>Interior Exterior</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1564527744716-WEUBHLA3H99S70B9LO0Q/Dead_Nuts+Interior_Exterior_MCD_%2373_%C2%A9Henrik+Kam+2019.jpg</image:loc>
      <image:title>Interior Exterior</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.arielzaccheo.com/exhibition-catalogue-essays</loc>
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    <lastmod>2021-11-24</lastmod>
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      <image:title>Exhibition Catalogues</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5cc34c210b77bdaa58f6bfb8/1556474449299-3FXDB79EAYQWZMOM4X86/Screen+Shot+2019-04-28+at+10.55.41+AM.png</image:loc>
      <image:title>Exhibition Catalogues</image:title>
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  <url>
    <loc>https://www.arielzaccheo.com/appearances</loc>
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    <lastmod>2025-12-12</lastmod>
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